Moving Artwork
» Chron: 'Objectionable' artwork on display at Capitol removed by lawmaker (Kristen Mack)
Interesting saga:
State Rep. Borris Miles personally removed two pieces of art on display at the Capitol that he found objectionable.The artworks — a painting of a black man hanging from a rope and an illustration of a man tied to an electric chair with the inscription "Doing God's Work" — were part of an exhibit placed by the Texas Moratorium Network, which seeks a two-year moratorium on the death penalty in Texas.
In e-mail to House colleagues Monday, Miles wrote: "I was greeted with these images as I walked through the halls of the (Capitol) Extension this morning with my two children, ages five and eight. I consider them to be extremely inappropriate and highly objectionable.
"Capitol exhibits are supposed to serve a public purpose or be informational in nature. These pictures were hung with no accompanying text or explanation," wrote Miles, D-Houston.
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The preservation board's rules governing displays at the Capitol require that exhibits serve a "public purpose" and are sponsored by an elected official. In this case Rep. Harold Dutton, D-Houston, was the sponsor.
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On Tuesday, Miles delivered the pieces to Dutton, who said he does not recall sponsoring the exhibit.
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Scott Cobb, the president of the moratorium group, said the purpose of the exhibit was to engage the public on the issue of the death penalty.
"We didn't violate any standards," Cobb said. "Nobody has a right to take down what they don't like. (Miles) overreacted and should have gone through the proper channels" to remove the work.
I'm not sure which is more laughable: that Dutton doesn't recall sponsoring an exhibit or that the president of the moratorium group honestly believes that "Nobody has a right to take down what they don't like."
Dutton has long since been an empty suit of a legislator, so maybe that explains part one. Not sure how to account for Cobb's arrogance.
Lyn Wall has the images up on her site (ironically after saying that they are "beyond offensive"). I can't say I disagree with Borris' actions. The artists' intent may be wholly understandable: to provoke, shock, and outrage. That's all fine and well. It doesn't mean that it's age appropriate for one and all, nor is it obligated to be displayed in the state capitol, though. A better sense of judgement was clearly in order and Cobb still seems to lack that.
The level of discourse in a state capitol building should not be reduced to only what is appropriate to children under 8. Creating public policy is not a g-rated Disney movie. We can not intelligently discuss the problems affecting the state by limiting how we discuss public issues to only what is suitable for a 5 year old. The state capitol is the one building in the entire state where we must be allowed to fully engage on and grapple with difficult issues facing the state. Lynching is a part of Texas history that continues to impact our society. Executions take place today most frequently in those states where in the past lynchings were common.
If anyone would like to read more about the connection between lynchings and the death penalty, read " The Rope, The Chair, and the Needle: Capital Punishment in Texas, 1923-1990" By James W. Marquart, Sheldon Ekland-Olson, and Jonathan R. Sorensen. "This book is the single most comprehensive examination to date of capital punishment in any one state, drawing on data for legal executions from 1819 to 1990. The authors show persuasively how slavery and the racially biased practice of lynching in Texas led to the institutionalization and public approval of executions skewed according to race, class, and gender, and they also track long-term changes in public opinion up to the present."